Nick Waterhouse has never strayed far from his love for 60’s pop music. One that carries a certain swagger – one remindful of Lou Reed & The Velvet Underground. The Fooler isn’t different in that he changes his formula so much, but in that he has taken his foot off of the proverbial producer pedal and left that in the hands of Mark McNeill. Recorded at Soil Of The South(Georgia) completely in mono – The Fooler is a phenomenal fortification of sounds. Orchestrated with deep layers of instrumental bliss, crooning, contemplation & heartache.. à la Roy Orbison.
– @meanwhile_in_music
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“Every piece of the The Fooler’s dense wall of sound is cleanly defined, with voices, keyboards, brass, and guitars all coming through clearly. The embodiment of tender melancholy, The Fooler is a compelling portrait of a vulnerable heart, marked by unsparing candor. Waterhouse will have a hard time topping it”
– @nodepression
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“Play it once and it sounds immediately like a collection of great songs. Play it again — and you will — and it feels like a novel or a film slowly unveiling its secrets, kaleidoscopic in its narrative complexity”
– @tinnitist
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