“Records that sound like this are nearly impossible to dislike, and there is never any shortage of them. There’s always a pocket of singer-songwriters evoking some combination of these 1970s singer-songwriter influences, from the aforementioned George Harrison to Neil Young to Harry Nilsson. Nobody Lives Here Anymore is an exceptional document of a songwriter and performer allowing all of their instincts and impulses to line up neatly with each other. It’s hard to imagine Clarke making a better or more complete record than this one: The longer it goes on, the richer and deeper it feels, and the more resonant and real Clarke’s imagined world becomes”
– @pitchfork
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“Nobody Lives Here Anymore feels like a paradox. It’s an album that feels both out of time and yet, at the same time, unmistakably timely. Stylistically, Cut Worms’ new album unabashedly mines the world of 60s pop and Americana. From the way Clarke’s vocals call to mind the prophetic twang of old-school Bob Dylan to the doo-wop backing vocals littered throughout, it’s an album that isn’t afraid to wear its influences on its sleeve”
– @louderthanwarofficial
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“Nobody Lives Here Anymore was produced in 2019 by Matt Ross-Spang (John Prine, Margo Price) at Memphis’ legendary Sam Phillips Studio. The 1 hour, 17 minute-long effort is an overstuffed collection of 17 beautiful, nostalgia-inducing folk and country pop tracks. There’s always been a tinge of country floating around in Max’s music, but this album contains the greatest presence of it yet”
– @kvrxaustin
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